Key takeaways
- Investing in a top-tier longarm machine is a major commitment, but can be learned from scratch with training and support.
- Building a business foundation—like forming a corporation and setting up accounting—should happen before taking on clients.
- Initial customers often come from family, friends, and word of mouth; local guilds and social media are key for growth.
- Balancing business with family life and other work requires clear time management and boundaries.
- Leveraging design and technical skills can set your quilting business apart, especially for custom work.
- A dedicated workspace, even a small one, can help separate business from home life and foster creativity.
The numbers
| Metric | Value | Basis | Note |
|---|---|---|---|
| Pricing | |||
| Thread and batting charges | unclear; no mention of how thread or batting are charged | stated | |
| Time | |||
| Quilting hours per week | 20–25 hours | 31:13 | Sarah: plans to spend 4-5 hours per day, part-time, after leaving other job |
| Equipment | |||
| Machine (model, throat, table) | Gammill Ascend, 30 inch throat, 14 foot table, Statler computerized | 7:39 | |
| Number of machines | 1 | 7:39 | One Gammill Ascend in use; mention of possible future expansion |
| Studio size | 1,200 sq ft | 24:00 | 1200 sq ft house used as quilting cottage; includes sewing and living areas |
| Business profile | |||
| Years in business | 1 year | 2:31 | Business started September 2024; just over a year as of Nov 2025 |
| Years quilting | 18 years | 3:59 | Leslie: took first quilting class 18 years ago |
| Customers | 4 | 9:17 | Four non-family customers as of interview; additional family quilts not counted |
22 other metrics were not covered in this interview
- Edge-to-edge rate
- Custom rate
- Queen-size price, edge-to-edge
- Queen-size price, custom
- Average price per quilt
- T-shirt quilt price
- Quilts per year
- Backlog / waiting list
- Turnaround time
- Time per quilt, edge-to-edge
- Time per quilt, custom
- Edge-to-edge share of work
- Mail-in share
- Hourly rate (stated)
- Annual revenue (stated)
- Worst year revenue
- Lifetime revenue per machine
- Annual earnings (est.) (missing: quilts per year and a price (average price per quilt, queen-size edge-to-edge price, or edge-to-edge rate); or, alternatively, have: quilting hours per week 20–25 hours; missing: a stated hourly rate)
- Effective hourly rate (est.) (have: quilting hours per week 20–25 hours; missing: annual earnings (est.))
- Machine cost
- Machine payback (stated)
- Machine payback (est.) (missing: machine cost and annual earnings (est.))
What the numbers say
What the numbers say
The available figures provide only a partial view of this quilting business’s operations. The owner works 20–25 hours per week on quilting,31:13 using a single Gammill Ascend machine with a 30-inch throat and a 14-foot table.7:39 The studio occupies a 1,200 sq ft house, which serves both as a quilting cottage and living space.24:00 The business is relatively new, having started in September 2024 and operating for just over a year as of November 2025.2:31
However, most key financial and throughput metrics—such as pricing, number of quilts completed per year, turnaround time, and annual revenue—are not stated or are unclear. Without figures for average price per quilt, number of quilts completed, or machine cost, it is not possible to estimate throughput, pricing structure, or payback period. Only four non-family customers have been served so far,9:17 suggesting the business is still in an early growth stage. Overall, while the business has established its physical capacity and working hours, the lack of data on pricing and output means that its financial performance and efficiency cannot be meaningfully assessed from the available numbers.
A Family Dream Becomes a Business
For anyone interested in starting a longarm quilting business, the story of Happy Bee Quilts offers a candid look at what it takes to get off the ground. Happy Bee Quilts is the creation of Leslie and Sarah Sisson, a mother- and daughter-in-law team in Las Vegas. Their journey began in September 2024, when they purchased their first longarm machine—without prior longarm experience—with the intention of turning Leslie’s dream into a family business. “We just purchased the long arm September, 2024, just a little over a year,” Leslie shares.2:23 Both women had quilting backgrounds, but only in piecing and small projects; they had always sent their quilts out to be finished.3:08
Leslie’s entrepreneurial background (having bought, sold, and run several businesses) gave them confidence to take the leap. “Over the last 15 years or so have become an accidental entrepreneur and have purchased two businesses and sold them and founded another business and sold that, but I’m still running it for the larger company that bought it”.5:49 This experience proved invaluable in setting up the new venture.
The business is also a legacy project. Leslie describes how her granddaughters, ages eight and eleven, are already making birthday banners on the longarm, and the family hopes to pass down both skills and the business itself: “That’s our dream is to leave the legacy…my granddaughters, her kids that are eight and 11, making birthday banners on the long arm and other things”.7:03
“We just purchased the long arm September, 2024, just a little over a year.”
“Over the last 15 years or so have become an accidental entrepreneur and have purchased two businesses and sold them and founded another business and sold that, but I'm still running it for the larger company that bought it.”
Learning the Longarm: Training and Trial
Neither Leslie nor Sarah had used a longarm before purchasing their machine. Sarah took the lead on learning, attending training sessions and a major industry summit. “I’ve been the one using the machine and, and found four sweet little customers brought to me by my grandma. So I’m like, okay, we are launched now. I can quit my other job”.9:01
The learning curve was steep but manageable. Sarah relied on the vendor’s training modules and direct support: “Once I had some time to go through the training modules, a few things clicked a little more for me…getting started with it was trial and error, like not being afraid to mess it up at first”.14:12 She also benefited from one-on-one educator sessions and technical support, which she described as a “huge lifeline”.17:32
Sarah practiced extensively before taking on customer quilts, using family projects as her test cases. She recalls, “I was terrified because, you know, I got, I got really nervous…the tension was off one time. I’m like, Oh, no. So like, let me practice tension. Hold on. So I’ve learned to practice on the side a lot to get my tension dialed in before I let it go”.20:04
This careful approach paid off: “They come back, they said, Okay, we’re coming to you. Now we really like your work. And like, I don’t have a ton of experience. I’m like, okay, something’s working”.20:22
“Once I had some time to go through the training modules, a few things clicked a little more for me...getting started with it was trial and error, like not being afraid to mess it up at first.”
Setting Up the Business Right
Leslie’s business acumen meant Happy Bee Quilts was structured properly from day one. “The first thing I did was set up a corporation and make sure it made sure that everything was done with the state properly and accounting and QuickBooks”.25:40 She emphasizes the importance of treating quilting as a business, not just a passion: “If you want to run it as a business, even like we’re slowly starting, but everything behind the scenes is where it needs to be, you know, and depreciation of your machine, but it has to be in service first before you can start that”.25:57
This approach ensures they can grow sustainably and take advantage of tax benefits and proper bookkeeping from the outset. Leslie’s experience helping others start prosthetic companies gave her a clear roadmap: “I already knew the groundwork that needed to go in and starting any business. So I did that even before we bought the machine. Cause I thought this is what I want to do”.26:37
Naming the business was also a family affair. “The name of our company is Happy Bee Quilts. My mom’s name was Happy and her last name started with a B. So that’s where that came from. So we’re the Happy Bees”.26:46
“The first thing I did was set up a corporation and make sure it made sure that everything was done with the state properly and accounting and QuickBooks.”
Finding Customers: Family, Friends, and Community
In their first year, most of Happy Bee Quilts’ clients have been family or friends. “We have four customers at this time—four non-family customers. We have lots of families”.9:17 Sarah’s mother and aunt are both quilters who send work their way, and word of mouth has already begun to bring in referrals: “They all know that I just, I don’t quite have the time quite yet, but in two weeks I will”.11:57
To expand, they’ve joined a local quilt guild and plan to become more active in the community. “We’ve recently joined one. We haven’t been into any of the meetings yet…but that is our goal is to, you know, really get involved”.12:17 Leslie also points to the importance of the quilting community and national shows for networking and inspiration: “The community is absolutely amazing…my aunt saw people that she has known from California all the way into Houston that have, have now gone on other places, but because they were quilters, they ended up in the same place. So the community is really exciting for us”.13:08
Sarah notes that word of mouth and referrals are already working: “They come back, they said, Okay, we’re coming to you. Now we really like your work…I’m like, okay, something’s working”.20:22
“We have four customers at this time—four non-family customers. We have lots of families.”
Marketing Online and Building a Presence
Sarah has set up a website (happybeequilts.com), Instagram, and Facebook for the business. “We have a website and we’ve got an Instagram and a Facebook account. I tend to gravitate towards Instagram, but I think Facebook is probably where it’s at for this customer base”.11:27
The website, built on Shopify, includes a quilt intake form for future online orders, although all current business has been in-person. “I have a quilt intake form on there. Haven’t used it yet. Everyone’s been in person, word of mouth. And I have a printable intake form that I just take notes on”.28:39 They also sell patterns for a local quilt teacher and have a section for the next generation’s handmade crafts: “On our website is a few things for sale, like those patterns…and then there’s a little section on there that I call the dabble shop. So whatever my girls want to make and sell, instead of setting up a lemonade stand all the time, I said, can we just sell things on the website?”.29:13
Sarah’s design skills have also helped other quilters: “She is actually helping a couple of quilt designers with their patterns and formatting their patterns and making them even more beautiful”.28:06
The team recognizes that social media and a strong online presence will be increasingly important as they grow beyond their immediate circle. Their approach is to balance local connections with outreach to a broader audience.
Workflow, Capacity, and Family Balance
Sarah expects to work on quilting four to five hours a day, after homeschooling her children in the morning.31:13 She acknowledges the need to set boundaries: “It would be wise for me to like give myself a limit because I can get into a project and then forget about checking the clock”.31:01
Their workspace is a dedicated 1200-square-foot house they call the “quilting cottage,” with stations for both adults and children. “This is just a little house in Las Vegas that we’re financially able to because the mortgage is so low to just have a little sewing house. So the master bedroom, we have three sewing stations in there where we sew whatever we want”.22:35 The living room houses their 14-foot, 30-inch throat longarm machine, and they’re already thinking about adding another: “We think that there’s room for another one right there. Because we know…to be successful, we’re going to have to scale”.23:14
The cottage setup allows the business to remain distinct from home life, and the children can participate in creative projects. Leslie describes how the girls have their own sewing station and make things alongside the adults.22:51
Balancing family, business, and other work is an ongoing process. Sarah is transitioning out of her graphic design job to focus more on quilting, and Leslie continues to run another business while supporting Happy Bee Quilts. Their ability to share responsibilities and cheer each other on is a key part of their workflow.24:36
“It would be wise for me to like give myself a limit because I can get into a project and then forget about checking the clock.”
Custom Work and Artistic Ambitions
Sarah’s background as a graphic designer and architect gives her a unique edge. She’s already exploring custom quilting: “I’m a little afraid of doing it handguided. So I currently have somebody’s cool top and each panel is embroidered. So I think what I’m going to do is hand draw it, scan it in and digitize it and then let the computer put out a hand drawn design”.21:51
Their first business quilt, featuring their logo and hand-guided quilting, is a testament to their creative approach and willingness to learn by doing. “This was actually her first quilt that she ever pieced that Val taught her…I actually 100%, no rulers or anything hand guided because I didn’t want to do an edge to edge over it. And it’s very, you know, it’s, it’s simple, but it’s beautiful”.34:41
Sarah’s technical skills allow her to digitize her own designs, combining artistry with precision. This sets Happy Bee Quilts apart from many new businesses that only offer edge-to-edge quilting. Their willingness to experiment and push their creative boundaries is already attracting positive feedback from customers: “They took that quilt to their little group and everyone ood and odd and ooh, it’s so good. So I’m like, okay, well then maybe that means more people will come”.32:05
Looking Ahead: Scaling and Legacy
While still in their first year, Leslie and Sarah are thinking ahead. Leslie notes, “Because I have run other businesses that really to be successful, we’re going to have to scale. And when I retire in a few years…I can join her full time and doing this”.23:14
Their vision includes involving more family members and passing on skills to the next generation. “That’s our dream is to leave the legacy…my granddaughters, her kids that are eight and 11, making birthday banners on the long arm and other things”.7:03
They are also realistic about the pace of growth. Sarah is still transitioning out of her previous job, and they are intentionally growing slowly to ensure quality and sustainability. As they become more active in local guilds and expand their online presence, they expect their customer base to grow organically.
Questions this interview answers
How did Happy Bee Quilts get started in longarm quilting?
Leslie and Sarah purchased their first longarm machine in September 2024 with no prior longarm experience, learning through training modules, educator sessions, and trial and error.2:23
How did they find their first quilting customers?
Their first customers were family and friends, with four non-family clients coming through word of mouth and personal connections.9:17
What steps did they take to set up the business?
Leslie set up a corporation, registered with the state, and implemented proper accounting and bookkeeping before taking on clients.25:40
How do they balance quilting with other responsibilities?
Sarah plans to quilt four to five hours a day after homeschooling, and they use a dedicated quilting cottage to separate work and home life 31:13.24:00
Do they offer custom quilting or only edge-to-edge?
Sarah is exploring custom quilting by digitizing hand-drawn designs, leveraging her graphic design background.21:51
Source
This article was written from Episode 68 of Quilting Business Success with Leslie and Sarah Sisson. Quotes are verbatim and link to the moment in the recording. Full transcript · Markdown version.
